Wednesday, March 31, 2010

August Evening

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This is an 11 x 14 studio painting depicting a typical summer evening scene near my home in Susquehanna County, PA. It is heart-breakingly pastoral. I can only hope we will continue to see this kind of beauty, peace and productivity on a daily basis here in the future. Neighborhoods change, but mine is undergoing a radical and brutal transformation. The best I can do is continue to record the beauty of this landscape as I have done for 35 years. Thanks for looking. Leave a comment.

Wednesday, March 24, 2010

Summerhouse

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I was asked to do a mini-workshop on a lovely Sunday afternoon at my favorite Montrose, PA restaurant, Summerhouse. The brunch people lingered to watch and I set up this still-life in a corner and blocked it in. I brought it back to the studio to finish and I think it a nice way to start spring; with a painting I like. I love the colors. I relied on a few eggs for spring symbolism - fertility. I used one of my own framed paintings for background element and a bit of reflection and depth.

I think some guidelines for setting up a still life should be:
1. Pick some objects you have an affinity for.
2. Make them visually contrasting; size, texture, etc.
3. Unite them with a theme; color, purpose, mood; a cloth or surface can tie elements together.
4. Keep in mind the basics of composition...leading the eye around inside the painting and not off the edge.

I am still working on this painting, but it won't change much. I see no big problems...some small areas may be improved a bit over the next week before it gets framed.

It will be for sale by June 4 & 5 when the Montrose Garden Club sponsors an open garden tour & my studio shows some floral and garden paintings by Betty Bryden and me.

Thursday, March 18, 2010

Garrison Road Plein Air

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Yesterday was my first plein air day of the year. As I navigated the rutted, frost heaved gravel (MUD) roads of my rural county I finally found the picture I wanted to paint; this long view of rolling hills, farm and wood land, but...Oh, no, I had no long paper in the car. Luckily I did have two 9 x 12 sheets of UArt #500 so I taped them together (adjacent) and ran my painting across both sheets. I think I will frame it just like that. Why not? 9 x 24.

Good new! My optometrist today pronounced my eyes in excellent health...that is a refreshing diagnosis.

Friday, March 12, 2010

Looking East from My Studio Window

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Returning from a month in sunny, but cold, northern New Mexico
this sight was a bit of a shock. It turned out OK though (most of the shovelling and plowing was all ready done); just left me with some easel work to pull this together. It is 9 x12 and will be put in a black rustic wide wood frame with a thin gold bevel to match the snow scene from January. Thanks for having a look and keeping the homefires burning.

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